Diss Corn Hall
Diss Heritage Triangle Project

Coming Events:

Wed 06 Aug 8:00 Under the Skin (15) Cinema Book/Details
Sat 09 Aug 3:00 The Keeper’s Daughter Young Company present presents:
Remembrances of Yours - An immersive adaptation of Shakespeareâs Hamlet
Theatre Book/Details
Sat 09 Aug 6:00 The Keeper’s Daughter Young Company presents:
Remembrances of Yours - An immersive adaptation of Shakespeareâs Hamlet
Theatre Book/Details

Current Exhibition:

21 July to 09 August Mystical Creatures by Tory Lawrence Details

Take a look inside our July-Sept event brochure.

Make a real difference to your community - DONATE to the Heritage Triangle project.

The Diss Heritage Partnership appeal to raise £100,000 has now raised nearly £50,000, so we're almost half way there! THANK YOU to everyone who has contributed so far. If you have been thinking about making a donation but haven't gotten round to it yet, now is your chance to help us raise that all important last £50,000.

Our fundraising will be a vital make-or-break contribution toward the town’s £3 million Heritage Triangle project which could transform Diss.

Peter Hyde, whose shop Diss Iron Works is in the Heritage Triangle, said “as a Diss business owner I am fully behind the project. It will really put Diss on the map, attracting new shops and more visitors.”

To make a donation or to find out more about the project click on the image above to open our fundraising brochure or go to www.heritagetriangle.co.uk

You can also send a cheque made payable to The Diss Corn Hall Trust addressed to The Diss Heritage Partnership, Diss Corn Hall, St Nicholas Street, Diss. Norfolk IP22 4LB or email admin@disscornhall.co.uk to request a copy of the Heritage Triangle fundraising information brochure and donation form.

Don't miss La traviata - beamed live from Glyndebourne

Our ‘live’ satellite screenings from the National Theatre, Glyndebourne and other top venues are proving very popular. These screenings allow you to enjoy world class productions right on your doorstep!

Our final Glyndebourne screening for 2014 is Verdi's La traviata on Sunday 10 August at 5.30pm. It has received a 5 star review from The Guardian who said "With a team this thrilling and a production so intelligent, Glyndebourne has a sure-fire hit on its hands."

New live screenings can be added to the programme at quite short notice, so to keep up with the latest line-up and to book tickets online, click here. You can also call the Corn Hall box office 01379 652241.

Help out with our Arts Awards

Our Arts Award group is celebrating success after scooping the Arts category in the Bernard Matthews Youth Awards on 29th October for their film project entitled The Diss Appearing Triangle which took 9 months to complete.

The Awards held at Open in Norwich netted the group prize money of £1000 to be spent on equipment and funding for future Arts Awards projects.

Diss Corn Hall's next Arts Award term has begun! If you are 11-18 and would like to explore and discover a specific - or a variety - of Arts disciplines in a friendly and fun atmosphere, come along to the Diss Corn Hall Arts Awards sessions on Wednesday evenings between 4pm and 6pm during term time.

For more information about Arts Awards visit their website on www.artsaward.or.uk. You can also keep up-to-date with what our group is up to on the Arts Award section of the Corn Hall website.

Arts Awards is a nationally recognised qualification with Bronze, Silver and Gold levels.

We also put on a showcase event for parents and families as well as occasional Saturday workshops in a variety of art forms which you will need to be available for.

Diss Corn Hall

Located in the East Anglian market town of Diss on the Norfolk / Suffolk border, this impressive Grade 2 listed building, originally built as a corn exchange, is now a thriving arts venue offering regular high quality entertainment from theatre, comedy and cinema to music, family fun and art.

The DCH Blog

Under the Skin - a pre-screening review
Scarlett Johansson drives around Glasgow in a white van picking up men played by amateurs that don’t know they are being filmed - that can’t have been an easy sell when Jonathan Glazer applied for lottery funding. What he has created, however, is a mesmerising, almost hallucinogenic, meditation on how we view others, how they view us.

Under the skin, Johansson is indeed an alien, and she is perfectly cast – what could be more alien than a Hollywood actress injected into urban Scotland? Support comes from a partly amateur company, giving the film a curious, documentary feel. Grand Prix motorcycle champion Jeremy McWilliams is particularly unnerving, while Adam Pearson’s willingness to confront his own disfigurement to make a bigger point is brave and confrontational.

Whether you find this film maddening or intriguing will depend on how familiar you are with sci-fi tropes and conventions. It owes a debt to Man who fell to Earth – not just in plotting, but in Nicholas Roeg’s direction – but its empty hearted female protagonist and bleak nihilism is actually closer to Tsukeman’s Liquid Sky. The film’s obstinate refusal to explain is also reminiscent of the closing of 2001 - it’s perhaps worth remembering that Arthur C Clarke once said that any sufficiently advanced technology is indistinguishable from magic.
By David Vass

Thursday 31st July 2014

This Weds - The Lunchbox - a pre-screening review
Ritesh Batra’s film has been heralded by many as Bollywood finally coming of age, but its far better judged on its own merits, as a beautifully constructed short story of two lonely people finding solace in the simple act of communication. Set in Mumbai, and immersed in the culture of that noisy, chaotic city, this is a perfectly paced exploration of the sort of quiet desperation last seen in The Remains of the Day.

The two leads are excellent. We see Irrfan Khan’s indifference to life slowly melt from the warmth of Nimrat Kaur’s unhappy housewife. Although largely a two-hander, there is whimsical support from Nawazuddin Siddiqui as his hapless apprentice and Bharati Achrekar as her never seen, but often heard, auntie. This is not a comedy, (though it is funny) nor a tragedy (though it is at times utterly heartbreaking). Rather it is a small slice of life in a big city, weighed down with the baggage that tired, irascible people carry around with them.

Using the plot device of immaculately prepared meals being wrongly delivered is only the starting point for a subtle and affecting tale that has the viewer willing everything to turn out fine, without ever being untrue to the narrative.
By David Vass
Sunday 27th July 2014

Monty Python Live (Mostly) - a review
The gathering of the five surviving Pythons was as much about remembrance as humour, for audience and performers alike. With the spectral form of Graham Chapham hovering above them, Cleese, Palin, Jones, Idle and Gilliam hammed their way through some of Python’s most fondly remembered back catalogue.

Interspersed with clips from the original series, the sketches – so well worn that they were almost like sing-alongs – stood up surprisingly well. The big hitters were all there - Parrot sketch, nudge nudge, Spam (and everyone expected the Spanish Inquisition). But they also slotted in some of their less accessible tracks. It was great to see Miss Ann Elk and her dinosaur theory, the Argument Clinic, and even the camp judges. Most pleasing of all was the decision to include Carol Cleveland – though now in her seventies, she looking impossibly glamorous.

The lion’s share of the action was carved up between Idle (who also produced and directed the show) and Palin, with Cleese walking through his lines, Jones underused, and Gillian’s involvement notional. But it mattered little who got the laughs. With top scale song and dance routines, a few cheeky cameos, and a deliberately sentimental low key close, this was the perfect valedictory performance.
By David Vass
Saturday 26th July 2014

Full DCH Blog