|Wed 26 Nov 8:00||Next Goal Wins (15)||Cinema||Book/Details|
|Fri 28 Nov 8:00||
Simon Munnery, Matt Richardson & Tony Cowards (compere) presents:
Corn Hall Comedy Club
|Sat 29 Nov 8:00||Mr Handel - Louis de Bernieres with the Brook Street Band||Music & Dance||Book/Details|
|05 November to 29 November||North Sea Waves by Maggi Hambling||Details|
Our Oct-Dec is still available. If you would like to receive one each quarter call 01379 652241.
Make a real difference to your community - DONATE to the Heritage Triangle project.
The Diss Heritage Partnership has secured a grant of £1,656,400 from the Heritage Lottery Fund (HLF) towards the £3m Heritage Triangle project. It's a once in a lifetime opportunity to transform Diss but we are not quite over the finishing line yet. We still need £30,000 to hit our target of raising £100k locally. To get involved and donate.
Go to www.heritagetriangle.co.uk
Our fundraising will be a vital contribution toward the town’s £3 million Heritage Triangle project which could transform Diss.
Peter Hyde, whose shop Diss Iron Works is in the Heritage Triangle, said “as a Diss business owner I am fully behind the project. It will really put Diss on the map, attracting new shops and more visitors.”
You can also send a cheque made payable to The Diss Corn Hall Trust addressed to The Diss Heritage Partnership, Diss Corn Hall, St Nicholas Street, Diss. Norfolk IP22 4LB or email email@example.com to request a copy of the Heritage Triangle fundraising information brochure and donation form.
Help out with our Arts Awards
Our Arts Award group is celebrating success after scooping the Arts category in the Bernard Matthews Youth Awards on 29th October for their film project entitled The Diss Appearing Triangle which took 9 months to complete.
The Awards held at Open in Norwich netted the group prize money of £1000 to be spent on equipment and funding for future Arts Awards projects.
Diss Corn Hall's next Arts Award term has begun! If you are 11-18 and would like to explore and discover a specific - or a variety - of Arts disciplines in a friendly and fun atmosphere, come along to the Diss Corn Hall Arts Awards sessions on Wednesday evenings between 4pm and 6pm during term time.
For more information about Arts Awards visit their website on www.artsaward.or.uk. You can also keep up-to-date with what our group is up to on the Arts Award section of the Corn Hall website.
Arts Awards is a nationally recognised qualification with Bronze, Silver and Gold levels.
We also put on a showcase event for parents and families as well as occasional Saturday workshops in a variety of art forms which you will need to be available for.
Diss Corn Hall
Located in the East Anglian market town of Diss on the Norfolk / Suffolk border, this impressive Grade 2 listed building, originally built as a corn exchange, is now a thriving arts venue offering regular high quality entertainment from theatre, comedy and cinema to music, family fun and art.
The DCH Blog
Julius Caesar - a review
Shakespeare’s essay on political expediency and the fragility of power is notoriously difficult to get right. With an early exit for its eponymous lead, and the closing scenes largely taken up by folk shouting and pointing at hills, it can be a real challenge. It was all the more impressive, then, that Roughcast’s version of this prescient play was so illuminating and compelling.
Credit must be due to director Mark Burridge, who really seems to understand how to present Shakespeare with clarity and precision, drawing from his cast consistent and harmonious performances. As Anthony he struck just the right imperious tone, while Peter Long and Paul Baker were as reliable as ever in the lead roles.
Notwithstanding her minor roles, Cathy Gill commanded the audience’s attention whenever on stage, but the star turn had to be Simon Evans, as a sly, unctuous Cassius - turning this slight man into the Malcolm Tucker of his day.
This production zipped along, making light work of even the play’s tricky second half and its inevitable loss of momentum. Roughcast consistently punches above its weight, and has done so here again, presenting a solid interpretation of this contrary play, with imagination, confidence and verve.
By David Vass
Friday 21st November 2014
Saturday Club - Little Match Girl Review
The Little Match Girl presented by Dot and Ethel was the latest feature at the Corn Hall’s Saturday Club. Based on the Hans Christian Andersen tale, with references to some other of his tales such as The Red Shoes, The Little Match Girl features two young women with wild imaginations and how they cope with the loss of their grandmother, (it was a much cheerier performance than it sounds!).
Rather than rely on dialogue, which was scarce, the performers used their physicality to tell the story, with the help of wonderfully nostalgic stop motion animation that recalled Oliver Postgates' programmes such as Noggin the Nog. The younger members of the audience were enraptured by the imagination of the set; at one point the performers created a street from the various boxes, suitcases and lampshades they had. The Little Match Girl was delightful and poignant, and the abstract style of the performance was a treat.
The next Saturday Club performance takes place on 20th December at 11am and 4pm with The Perils of Pinocchio presented by Diss Corn Hall and the Keepers’ Daughter.
By Robbie Sunderland
Tuesday 18th November 2014
Boyhood - a pre-screening review
Finding The School of Rock, Bad News Bears and Slacker in the same DVD collection would be odd enough - the idea that they were made by the same director seems preposterous. To add to that eclectic mix, all the while Richard Linkater was making those films he was also quietly tinkering away creating this low budget, high concept rites of passage movie, over an extraordinary 12 year period.
Boyhood, follows Mason’s life from the age of six until he is 18, and by filming in real time, it becomes a unique window into not only the characters’, but also the actors’, growth and change. It’s a deceptively simple story, and not a lot happens, but the scope of its ambition gives it a range more akin to a Dickens novel. By seeing the characters manifestly age (the subtle changes in Ethan Hawke and Patricia Arquette are somehow even more telling than the metamorphosis of Ellar Coltrane), Linkater is able to dispense with tiresome exposition and focus on the sheer, raw authenticity of ordinary folk trying their best to get by.
The film is not so much about Mason, as from his perspective. His absentee Dad is more interesting that his hard working Mum, and just about everyone is more interesting than Mason himself. That is because this is not a film voyeuristically poking its nose into 12 years of a family’s life – it’s sitting inside the head of an ordinary kid, trying to make sense of the life he had been born into.
By David Vass
Saturday 15th November 2014